It is reflective of the current mental state he raps about throughout the album. The two pictures of him are dichotomous – a confused and reflective Okonma that overshadows the eccentric and unorthodox Okonma in the public eye that we are all used to seeing. We are introduced to his alter-ego, Wolf Haley, quite literally with the eponymous opening track and its delicate piano chords and distorted voices in the background of Wolf meeting the album’s other characters, Sam and Salem, at Flog Gnaw. This monochromatic cover almost resembles a portrait of Okonma to me.
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